http://from1fan2allothers.com
Please Weed

PRRP007-GENESIS
ROBBERY, ASSAULT AND BERKELEY
Apr 29, 1976 (Berkeley Community Theatre - Berkeley, California)

1-1. Dance On A Volcano 6:31
1-2. The Lamb Lies Down On Broadway 4:27
1-3. Fly On A Windshield 2:42
1-4. Carpet Crawlers 5:21
1-5. Romeo and Juliet Story 0:59
1-6. The Cinema Show 10:42
1-7. Harry's Robbery Story 1:02
1-8. Robbery, Assault & Battery 5:50
1-9. White Mountain 6:58
1-10. Firth Of Fifth 8:21
Disc - 52:39

2-1. Entangled 7:15
2-2. Squonk 6:41
2-3. Supper's Ready 23:09
2-4. I Know What I Like 5:09
2-5. Los Endos 7:09
2-6. It 3:57
2-7. Watcher Of The Skies 2:24
Disc - 55:32 

Tony Banks- Keyboards
Phil Collins- Lead Vocals, Drums, Percussion
Steve Hackett- Lead Guitar
Mike Rutherford- Bass, 12 String Guitar
Bill Bruford- Drums and Percussion

Robbery, Assault and Berkeley

Genesis first visited Berkeley California on January 22, 1975 to perform The Lamb Lies Down on 
Broadway. The band returns now on April 29, 1976 for their second visit to this part of the Bay 
area to again present old material but also to play songs from the new album The Trick of the 
Tail. This is their first show in four days, since a performance in Kansas City, and the first 
of 3 they will give on the West coast. During the previous visit to Berkeley, Peter Gabriel was 
at the microphone and Phil Collins played drums. During this visit, Phil is now singing vocals 
and Bill Bruford is leading the percussion. After the first song Dance on a Volcano, Phil 
informs the audience that they are going to play a collection from the prior tour which they 
have entitled Lamb Stew. This consists of The Lamb Lies Down on Broadway, Fly on a 
Windshield and Carpet Crawlers. Phils renditions are clearly different than Gabriels but 
still well received by the audience.
            Mr. Collins also continues Peters tradition of telling introductory stories before 
many of the songs. Though using less fantasy and magical thinking than his predecessor, Phil 
conveys humorous tales, including some local flavor, which the audience seems to enjoy. Older 
material such as Suppers Ready and The Cinema Show take on a new sound as Bill Bruford 
works his magic at the drum set and interjects a series of new percussion instruments into the 
mix. Phils voice, though not as powerful as Peters, has an angelic quality at this point in 
his career which blends well with many of the songs presented during this show. The show closes 
with a medley of both old and new material: Los Endos, It and a shortened version of Watcher
 of the Skies.

Notes from the Re-Master

This show was taken from multiple sources, all beginning with an audience recording. As a good 
quality audience recording, this show has the benefit of providing the acoustics of the Berkeley 
Theater to the listener. The majority of the show is from a second generation tape source. 
General tape hiss and show noise were identified and removed. Tonality was generally good and 
therefore unaltered. Very few clicks, pops or dropouts were found. Viable music frequencies 
existed up to 12,000 Hz. Other available CD versions of this show have a great deal of hiss and 
viable music frequencies only up to 7,500 Hz. These other versions also have cut the beginning 
of the song Los Endos due to tape stretch distorting the sound. During remastering we have 
restored this segment. A source with the complete dialog between songs could not be found so 
some transitions are a bit awkward but more natural than other CD versions available.

